ChessShelf

The 5 Openings Every Beginner Faces (and How to Meet Them)

ChessShelf Editorial · 2026-05-14

Ask a new player which openings they need to know and they'll usually name the ones they've heard of — the Ruy Lopez, the King's Gambit, maybe the Grünfeld if they've watched enough commentary. That list is almost useless for the first year of tournament or club play. What actually matters early on is a much narrower, much more mundane question: which openings will the person across the board from you actually choose, and do you have a plan for each of them? This list answers that question directly, ranked by how often you'll genuinely meet each one rather than by reputation.

Why frequency beats fame

A new player who spends a weekend memorizing sharp Ruy Lopez theory and then loses to a scrappy Scandinavian Defense they'd never seen before has prepared for the wrong opponent. At club level and in the early rounds of most tournaments, you will face a small, predictable handful of tries far more often than anything resembling top-level theory. Preparing for those five, even shallowly, does more for your results than deep preparation against openings you'll meet once a season.

1. The Italian Game, because White chooses it for you

If you play 1...e5 against 1.e4, White will reach for 3.Bc4 more often than any other third move — it's the most natural developing move on the board, and it's often the first attacking idea a new White player is taught. You don't need deep theory to meet it, but you do need to know what it's threatening in the first few moves, which the Italian Game entry covers in full. What matters here is recognizing the setup on sight, rather than treating every game against it as a brand-new problem.

2. The Sicilian Defense, because it's the reply you'll face most

Flip to the White side of the board and the equivalent problem is 1...c5. More of your opponents will answer 1.e4 with the Sicilian Defense than with any single alternative, and turning up without any plan against it — hoping to figure it out over the board — routinely costs beginners games they otherwise understand fine. A workable answer for White doesn't need to be the sharpest theoretical try available; it needs to be one you actually understand well enough to play the same way every time.

3. The Scandinavian Defense, because it punishes a lazy queen trade

1...d5 in response to 1.e4 looks like it hands White a free tempo — and it does, after 2.exd5 Qxd5 3.Nc3, when the queen has to move again. New White players often treat this as proof the Scandinavian Defense is simply bad for Black, then get careless with the tempo they've gained and let the position equalize anyway. The lesson worth taking from facing the Scandinavian isn't a specific refutation; it's that a small material or tempo edge has to be converted with purposeful development, not assumed to win the game on its own.

4. The London System, because it doesn't care what you play

Play 1...d5, 1...Nf6, or almost anything else against 1.d4 and a large share of your opponents below expert level will reach for the same London System setup regardless: an early bishop to f4, pawns on e3 and c3, a knight to d2. As Black, the practical challenge isn't finding a refutation — direct, solid central play holds up fine — it's not panicking when your opponent's first several moves don't seem to depend on anything you've done. Recognizing the setup early saves you from over-thinking moves that were coming no matter what.

5. The Queen's Gambit, because declining it isn't automatically safe

1.d4 d5 2.c4 offers a pawn that almost nobody actually takes and keeps at club level — accepting it with 2...dxc4 leads to real theory most beginners haven't studied, so most games go 2...e6 or 2...c6 instead. The trap new players fall into isn't in the opening moves themselves; it's assuming that because the gambit pawn was declined, the position is automatically balanced and safe. White still gets a real space and development edge in most Queen's Gambit Declined structures, and playing passively on the assumption that nothing happened in the opening gives that edge away for free.

The habit that helps against all five

A striking number of games below intermediate level are decided in the first ten moves not by opening theory at all, but by one side falling for an early attack on f7 or f2 — the classic Scholar's Mate idea, or a near relative of it. You don't need a memorized defense to every opening on this list if you build the habit of checking, every single move, whether your queen or bishop has just come under attack and whether your own f7 or f2 pawn is still covered.

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Starting position. Defending against an early queen attack (illustrative position, not from a recorded game).

Meeting an early queen attack on f7 without losing time

The mistake this list is trying to prevent

Treating every game as a brand-new puzzle. If you recognize the setup in the first three or four moves, you've already saved most of the thinking a genuinely fresh position would have cost you.

Between them, the Italian Game and how to meet the Sicilian Defense cover the two openings you'll face constantly as a new player. The guide on building a first opening repertoire walks through choices like these as part of a complete, ordered process, rather than in isolation.

Frequently Asked Questions

Do I need deep theory for all five of these before my next game?

No — recognizing the setup and having one simple, understood plan against each is worth far more at this stage than memorized lines you'd forget under pressure. Depth can come later, opening by opening, once a specific one keeps costing you games.

What if my opponent plays something not on this list?

That's normal and fine — this list covers the openings you'll meet most often, not all of them. A rare opening you see once a season doesn't need advance preparation; general opening principles like developing pieces, controlling the center, and getting the king safe carry you through it just as well as memorized theory would.

Which of these five should I actually add to my own repertoire?

None of them, necessarily — this list is about what to expect from opponents, not what you should play yourself. Your own repertoire is a separate, smaller decision, usually best made by picking one opening per color and learning it properly rather than reacting to whatever you've most recently faced across the board.